Water Color Artist: Michael J. Turner
The Gospel According to Judas
By
Michael J. Turner
copyright 2005
A
Note From the Author
The words contained within this tome are the result of one’s personal journey of faith. As a Christian, am I not also a Jew? I cannot understand my relationship with God without embracing both the Old and the New Testament.
In
accepting Christ do I exclude Abraham?
Obviously, the very phrase Judeo-Christian contains the answer. However, if there is a blending of
traditions, than what responsibility falls upon the Christian to be
Evangelical? I do not hold with the
belief, that a Jew is somehow lessened in value for not accepting Christ as the
Messiah. To hold this view would be
against the mandate that one judge not, less they be judged. Moreover, if as Christians we believe in the
second coming of Christ, I would pose the following notion. Our second coming maybe for the Jew, an
opportunity to embrace the Messiah, completing the bond between two faiths,
that, spring from the same root. Christ
was after all a member of the house of David.
By
Michael J. Turner
December
23, 1980
Revised
December 16, 2005
ã
Michael John Turner 2006
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any way, or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the copyright holder.
All illustrations are the property and contained in the portfolio of Michael John Turner, trading as Turner Watercolors.
Invocation of The Muse
The tapestry of Homer is frayed by
Archimedes, Aristotle and Plato.
They unlocked Pandora’s box
Which loosed the moths of Doubt.
All that was, now covered by
The dust of a New Age
Which keeps the key from
Fitting the lock.
I would blow off the dust,
But their past is no longer mine.
The Wheel of Fortune has turned
And I am awed by the shadow of crossed spokes.
Calliope is a shadow cast by the light
That burns within.
The divine wick sputters-
Imagination.
“Now
the serpent was more subtle than any other beast in the field…” ~ Gen. 8:1
What thoughts are born in innocence?
As the first of your sex, you would be viewed
as malleable.
But, you were formed in the crucible of the
Almighty,
Imparted with divine spirit, framed by Adam’s
rib.
Naked in all respects with no memories to be
your guide,
What was the temptation that brought pain and
suffering?
Is knowledge the cross you bear?
Choice does not exist without history.
You stood with resolute fragility,
Confronted by the stark reality of truth.
Your nakedness was your armor,
As you reached for what was thought
unreachable.
Words are unknown like those written by a
solitary finger
In the dust.
Like Judas your choice would be a betrayal.
But, without your choosing would the plan have
been completed?
God knows…now, so do you.
Michael
John Turner
November
30, 2005
Words
touched upon the stone.
Yet
the knowledge I seek
Was
written by a solitary finger
In
dust.
I
would believe in God
The
Father Almighty
But,
unlike groping Thomas
A
finger
The
son crucified and buried
Without
the certainty of death,
Even
when nailed down
Words
are elusive, often mumbled
Like
so many children’s rhymes.
PROLOGUE
TO FAITH
“Touching
the Almighty, we cannot find him out.”
~Job 37:23
Walking
where the gulls give voice
To
a speechless day,
Solitary
feet touch millenniums of sand;
I
too would be a beloved son.
The
chalice is drained of Olympian vine
Nor
have I sipped the wedding wine.
Marked
by inner-city streets, where there are no sacred trees,
Temples
with tables turned are no longer holy…
How
do we return to the Garden?
The
omni-flaming sword keeps us out
Of
the circle, that would draw us in.
There
were giants in the earth…Son of God?
God,
as a suffering child
I
seek…
BY
FAITH
“The
practical faith of all men belies the preacher’s consolation.”
~H.D. Thoreau
The
muted grating of wood
Against
the ancient streets, newly paved by Rome.
Jingling
from my waist, thirty silver pieces,
Tarnished!
! !
Echoing,
bumping --- a cross drawing
Not
his life, but mine to a close.
Fingering
my flaxen girdle,
Like
beads …
Touching
within the twine a serenity
As
if
My
lips finally taste the wine.
THE
SACRIFICIAL LAMB
“Judge
not that ye be not judged.”
~Matthew 7:1
Long before it stood before Pilate.
Ever standing in the midst
Always on the outside of the circle.
Who is to say…
The right or wrong of it
That was decided long before your birth,
Before the flame ever consumed your heart,
You too were crying in the wilderness.
As keeper of the books,
Some say, juggling the figures
Would you have proceeded
Knowing the ink was indelible?
A gamble?
The dice were tossed long
Before the cross.
In search of your oneness
You lost the twelve…
J.J. Newberry’s ninety eight cent
Version of the word, I wondered:
Is this version less than the leather bound
Five dollar deluxe?
The words still echo,
“No
one shall know the father
Save by his son.”
I still don’t know my father…
So, I become a Pilate before Christ.
Sitting amongst perfumed, blued souls
As traditional hymns shiver my spine.
Rendering unto Caesar
With little thought of Christ.
I am of the font, like them
Drowned into life. Again being passed down
A carpeted aisle of red.
When the ritual is in lower case
The harrowing of hell is
Of little consequence.
We bathe, refreshed by the sanctity
Purged by the luminescence of the gaze:
A prismatic spectrum.
Alienated from the truth of truths.
The somber doxology is piped,
Seeking in chords to touch
The unperceivable love
That is within and without the water.
The font:
dripping unceasing
At once polluted and purified by blood.
Living although drowned.
“I am, that I am.”
~Exodus
3:14
Water spilled from that judicious bowl,
But, blood proclaimed the answer:
What is truth?
To die only to live?
Raised up a Nazarene,
Standing closer to a Greek,
A shadow amongst the shadows,
Proclaiming the inconceivable.
Rome can shed no light
For there is no darkness
Except that which lies within.
Illuminated by the blackness,
Fulfilled by the emptiness
I am part of the grotto…
Seeing shadows, but I am a shadow of myself,
Lost in the light.
CONCLUSION
Star light, star bright
First star, I see…Hung with utmost care-
Hand blown in Germany, I think.
Now, that same star
Hangs in the perpetual evergreen of memory.
“And lo-
A star appeared in the east
Proclaiming that the spirit
Had become flesh-
And in accordance with the law
On the eighth day
The child was circumcised.”
I find no guilt in this man…
And with the washing of hands
One soul had been purged.
But, how many spirit starved eyes
Staring transfixed in horror
Watched as feet stumbled toward extinction?
How many hearts wrung out in anguish,
How many souls were to be saved…
First star, I see…
Hung with utmost care…
The light shone clear
That all men would be renewed-
Yet in the final triumph
A thief turned to you…
Even before it had begun, it was finished.
Countless stars have traversed the heavens-
Millions that once shined
Are illuminated only through the ever fresh
memory
That will dim and fade in the abyss.
“Christ, is that the cross I am yet to bear
That God died in DACHAU?
I am like you, suspended, motionless
Nailed by an eternity of love…”
-Michael J. Turner
After
Thoughts
The genesis for the Gospel According
to Judas can be traced back to multiple influences. The primary influence naturally is the
Bible. Specifically, the verse from
Exodus, when Moses asks God, “Who shall I say sent me?” The Lord replies, “ Say I am that I am has
sent you.” From that initial reading to
present day, I have considered these words to be the most powerful in the Old
Testament. Within the phrase I am that
I am lies Descartes’, I think, therefore, I am. Moreover, it is not from my perspective a leap to extract the
formula, E=MC2. Just as energy can neither be created or
destroyed, so too, the spirit can neither be created nor destroyed.
This concept harkens back to the Greeks, especially Aristotle and
Sophocles, who argued that just as the circle is a perfect geometric form, God
is the perfect spiritual form. Hence,
God cannot be defined. To do so would
be an attempt to confine by definition that which is indefinable. This notion
of finite intellect trying to define the expansive intellect is the under
current of Blake’s Urizon. Blake
therefore becomes the second influence for the Gospel According to Judas.
The third intellectual source is a synthesis1. of the novels, The Passover Plot by Hugh Schonfeld as
well as I, Judas by Taylor Caldwell and the writings of Detrich
Bonnhoeffer, who was the Lutheran Priest executed by the Nazi’s for his
participation in the plot to kill Adolph Hitler. The referenced novels are views challenging traditional Christian
dogma. Bonnhoeffer challenges those
traditions in the real world by creating a rationale to commit the murder of
one individual to save the lives of what would result in millions.
The Gospel According to Judas is a creative journey to explore
not only the failure of the church to raise a collective voice against the
Holocaust, but also, one’s relationship with God. It is a journey of words and
paint. It is a journey that has
resulted in the creation of my own formula for life…Enlightenment equals
Meditation times Creativity times Curiosity or E=MC2.
E=MC2
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